Withdrawal
Regarding technique, the first aspect we must address is the withdrawal. Traditionally, the withdrawal has been explained as a stabilizing counter-movement to ensure the stability of the performed technique.
The most commonly employed withdrawal is directed towards the hip. However, there are also variations where the withdrawal targets the opposite shoulder or even below the elbow on the opposite arm, among others.
As previously mentioned, patterns have served as a means of systematizing techniques sequentially, passing them down through oral tradition.
It was not until Gichin Funakoshi began documenting his system for the Japanese that written sources started to emerge. Nevertheless, due to their reluctance to divulge too much to the occupying forces, we must delve deep to uncover anything other than the version taught to children in Okinawa.
Funakoshi authored numerous books, and in his publication ..., he states:
"Here, hikite is employed to twist the opponent's arm and render them vulnerable, ultimately leading to their defeat."
Hikite is the Japanese term for withdrawal. Funakoshi elucidates that:
"In this particular instance, we utilize the hikite to twist the opponent's arm, placing them in a vulnerable position for ultimate victory."
Notably, he commences the sentence with "Here," indicating that Hikite can also fulfill other functions in different situations.
In Taekwon-Do, we have not previously incorporated any Korean terminology for withdrawal. However, I have discovered that we can employ the term "Dan Gi Son," which translates to "Returning Hand."
One of the most commonly employed techniques in Taekwon-Do is the punch, or "Jirugi," which is present in all the patterns. Let us examine an example of how we can enhance the technique through an active withdrawal.
As a fundamental principle of this mindset, both hands always play an active role in the execution of the technique.
In the following five images, Christian Olsen and I stand facing each other. To clarify the technique, Christian remains completely stationary, directly facing me.
Fully extended at the point of impact
Opposite side
Visualize how you perform a straight punch in a walking stance. Ponder upon every moment, from the initiation of the movement until the technique is solidified.